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Ecole directe college fenelon elbeuf

29.10.2019

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Front Matter Pages i-xi. Back Matter Pages Unattractive Women: Cross-Casting in Comedy. Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet in which the King himself performed a number of women's roles and an occasional feature of spoken comedy and tragic opera. Cross-Casting and Gender Ambiguity in Opera. The inclusion of chapters on ballet and opera as well as spoken drama opens up the richness of French theatre under Louis XIV in a way that has not been achieved before. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality.

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    Cross-Casting and Gender Ambiguity in Opera. The inclusion of chapters on ballet and opera as well as spoken drama opens up the richness of French theatre under Louis XIV in a way that has not been achieved before. Cross-casting also persisted out of necessity in the school drama of the period. Back Matter Pages About this book Introduction This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.

    Front Matter Pages i-xi. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality.

    Theatre under Louis XIV SpringerLink

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    This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality. Skip to main content Skip to table of contents. Advertisement Hide.

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    Unattractive Women: Cross-Casting in Comedy. Cross-casting also persisted out of necessity in the school drama of the period.

    Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet in which the King himself performed a number of women's roles and an occasional feature of spoken comedy and tragic opera.

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    This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality.

    Front Matter Pages i-xi.

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    Pages Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet in which the King himself performed a number of women's roles and an occasional feature of spoken comedy and tragic opera. Cross-Casting and Gender Ambiguity in Opera. About this book Introduction This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.

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    About this book Introduction This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.

    EcoleDirecte Administration

    The inclusion of chapters on ballet and opera as well as spoken drama opens up the richness of French theatre under Louis XIV in a way that has not been achieved before. Cross-Casting and Gender Ambiguity in Opera. Unattractive Women: Cross-Casting in Comedy.

    Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet in which the King himself performed a number of women's roles and an occasional feature of spoken comedy and tragic opera.

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